“Transformers: Dark of the Moon” is rated PG-13 (Parents strongly cautioned). Much of Chicago is wiped out. And where did those toys learn all those bad words?
The redoubtable A.O. Scott, who is quickly becoming my favorite N.Y. Times reviewer, has some fun things to say about this movie, even going to so far as to praise it as "by far the best 3-D sequel ever made about gigantic toys from outer space."
"Mr. Bay’s lax notions of coherence and plausibility — I’m sorry, I mean his utterly nonexistent notions of coherence and plausibility — are accompanied by a visual imagination that is at once crazily audacious and ruthlessly skillful."
"Mr. Turturro and Ms. McDormand (who plays a snappish government big shot, as you will know within her first five seconds of screen time) may be the only parts of the movie you want more of. But “more” is Mr. Bay’s watchword, and so you will get a whole lot of everything else. An Autobot with the voice of Leonard Nimoy. Shia LaBeouf running around and shouting at people. Annoying sidekicks (apart from Mr. LaBeouf, who is his own annoying sidekick). A bunch of muscly dudes with big guns who are not robots. (Two of them are Josh Duhamel and Tyrese Gibson.) A bunch of muscly dudes who are."
http://movies.nytimes.com/2011/06/29/movies/transformers-dark-of-the-moon-theyre-at-it-again-movie-review.html?ref=arts
Roger Ebert, however, takes out the flamethrower:
http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20110628/REVIEWS/110629981
"Michael Bay's "Transformers: Dark of the Moon" is a visually ugly film with an incoherent plot, wooden characters and inane dialog. . . . The series exists to show gigantic and hideous robots hammering one another. So it does."
"There is more of a plot this time. It is a plot that cannot be described in terms of structure, more in terms of duration. When it stops, it's over."
"I have a quaint notion that one of the purposes of editing is to make it clear why one shot follows another, or why several shots occur in the order that they do. "Transformers 3" has long stretches involving careless and illogical assemblies of inelegant shots. One special effect happens, and the another special effect happens, and we are expected to be grateful that we have seen two special effects."