52+ in 2011

Jul. 9th, 2011 09:09 am
lumineaux: AlysBear (Anphivena)
[personal profile] lumineaux
55. The Silent Girl by Tess Gerritsen

Jane Rizzoli is a homicide detective in Boston.  Maura Isles is a medical examiner.  They are friends, of a sort.  They solve crimes.  There's now a Rizzoli and Isles TV show, but it has about as little to do with the actual novels as Bones has to do with Kathy Reich's Temperence Brennan novels.

A dead body is found on a rooftop in Chinatown.  It may be linked to a shooting that occurred on the same spot 19 years ago.  As mysteries go, this particular mystery isn't very mysterious -- I figured out who was involved fairly early on.  The why was more interesting and worth reading through until the end.   As a regular reader (and occasional writer) of mysteries, I like to think that I am at the level of a rookie detective when sifting through clues.  As a result, I find that it bugs me when the heroes don't put two and two together as easily as I have.  To some degree, the plot requires Jane Rizzoli to fail to put two and two together on a couple of essential points.  However, Jane does nearly get killed early in the novel, so she may be off her game as a result.  At least that's what I keep telling myself. 

Date: 2011-07-10 05:01 am (UTC)
From: [identity profile] zevabe.livejournal.com
Is it possible that this has to do with genre savviness in a way that doesn't reflect itself in-universe?

Date: 2011-07-10 11:18 pm (UTC)
From: [identity profile] lumineaux.livejournal.com
Probably - although you'd think an experienced cop would have "genre savvy" equal to a mystery reader.

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